Jean-François Millet, Nuit Étoilée (Starry Night), c. 1851. Oil on canvas, 65.4 x 81.3 cm. Yale University Art Gallery - via Art History tumblr
Showing posts with label 19th Century. Show all posts
Showing posts with label 19th Century. Show all posts
Wednesday, October 27, 2010
Millet's "Starry Night"
Jean-François Millet, Nuit Étoilée (Starry Night), c. 1851. Oil on canvas, 65.4 x 81.3 cm. Yale University Art Gallery - via Art History tumblr
Labels:
19th Century,
Jean-François Millet,
landscape,
Millet,
Painting
Wednesday, July 28, 2010
Labels:
19th Century,
art,
landscape,
Nikolai Nikanorovich Dubovskoy,
Painting
Thursday, March 11, 2010
The Overlove of Knowing
George Inness, "October Noon" (source)"The overlove of knowing is a chronic trouble of artists...this abominable tendency to believe only in what can be defined, this desire to realize all things of life sensuously, is the cause of human misery."~Geoge Inness
Labels:
19th Century,
George Inness,
Painting,
quotes,
tonalists
Friday, November 20, 2009
W. Graham Robertson
Labels:
19th Century,
John Singer Sargent,
Painting,
portraits
Tuesday, September 1, 2009
Jean-Léon Gérôme
Jean-Léon Gérôme, Head of A Woman, 1844, Oil on Canvas, 17.5x14.5"- source. I saw this work at the Cleveland Museum of Art and I've kept the postcard ever since. The blue background on this work was absolutely radiant in person.
Jean-Léon Gérôme, Duel After a Masquerade Ball, 1857- source.
Gérôme - Quaerens Quem Devoret.jpg Jean-Léon Gérôme, "Quaerens Quem Devoret" - source.

Labels:
19th Century,
Jean-Léon Gérôme,
Painting
Thursday, August 6, 2009
Joseph-Désiré Court
Labels:
19th Century,
Joseph-Désiré Court,
Painting
Monday, April 7, 2008
"Relief, Nay, Liberation"
"How often was I able, even in the later years, to cleanse my innermost soul of dark depression by painting dark fog-shrouded landscapes, snow-covered graveyards, and similar things. Perhaps these pictures appealed to other souls as much in darkness as my own. As for me, they always brought me relief, nay, liberation." - Carl Gustav Carus
Carl Gustav Carus, "Das Kolosseum in einer Mondnacht" (The Colosseum at Midnight"), Oil on Canvas, 1828, 47.5 × 37 cm
Source: Wikimedia Commons
Carl Gustav Carus, "Morning Fog", Watercolor on Paper mounted on Board, 1825, 20x26 cm
Source: Web Gallery of Art

Carl Gustav Carus, "Blick auf Dresden von der Brühlschen Terrasse", Oil on Canvas, 1830-1831, 28.5 × 21.7 cm
Source: Wikimedia Commons
I've been enjoying German Romantic painting lately. I ran across Carl Gustav Carus today while making a brief library visit. He studied under one of my favorite landscape painters - Caspar David Friedrich, so it's no surprise that I enjoy his work as well. Carus wrote that "The chief aim of landscape painting is to present a certain mood of the soul (meaning) by showing a corresponding mood in nature (truth)."
Quotes from German Romantic Painting by Hubert Schrade, 1967
Carl Gustav Carus, "Das Kolosseum in einer Mondnacht" (The Colosseum at Midnight"), Oil on Canvas, 1828, 47.5 × 37 cmSource: Wikimedia Commons
Carl Gustav Carus, "Morning Fog", Watercolor on Paper mounted on Board, 1825, 20x26 cmSource: Web Gallery of Art

Carl Gustav Carus, "Blick auf Dresden von der Brühlschen Terrasse", Oil on Canvas, 1830-1831, 28.5 × 21.7 cm
Source: Wikimedia Commons
I've been enjoying German Romantic painting lately. I ran across Carl Gustav Carus today while making a brief library visit. He studied under one of my favorite landscape painters - Caspar David Friedrich, so it's no surprise that I enjoy his work as well. Carus wrote that "The chief aim of landscape painting is to present a certain mood of the soul (meaning) by showing a corresponding mood in nature (truth)."
Quotes from German Romantic Painting by Hubert Schrade, 1967
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