Showing posts with label Robert Rauschenberg. Show all posts
Showing posts with label Robert Rauschenberg. Show all posts

Wednesday, January 21, 2009

Fresh Start

Spring semester starts today for me. Here are a few classic white art works to help symbolize a fresh start (even white can be reinvented):


Kazimir Malevich. Suprematist Composition: White on White. 1918. Oil on canvas, 31 1/4 x 31 1/4" . 1935 (photo by Nathan Abels)Robert Rauschenberg, 1951
Wolfgang Laib, Milk stone, 1980
marble and milk
2.6 (h) x 91.9 (w) x 74.2 (d) cm
Tom Friedman, 1,000 Hours of Staring, 1992-97
stare on paper
32 1/2 x 32 1/2 in.

Tuesday, November 20, 2007

White-out

We have the first real cold front/snow storm blowing in tonight, and in preparation I've compiled some nice white-on-white compositions in no particular order:

"Form-22-3-07 - Noon" by Klængur GunnarssonRudolph Stingel, Untitled
Styrofoam, 2000
Kazimir Malevich. (Russian, born Ukraine. 1878-1935). Suprematist Composition: White on White. 1918. Oil on canvas, 31 1/4 x 31 1/4"
Robert Rauschenberg, "White Paintings" 1951
Robert Ryman, "Surface Veil I", 1970. Oil and blue chalk on linen, 143 15/16 x 144 inches. Solomon R. Guggenheim Museum, Panza Collection.

Monday, July 23, 2007

Robert Rauschenberg's "Mud Muse"


"Mud Muse", Robert Rauschenberg, 1971


In preparation for an upcoming trip to Yellowstone I was reminded of the piece by Robert Rauchenberg called "Mud Muse." According to Rebekah J. Kowal, "The piece consisted of a big aluminum tank of mud-9 x 12 feet-that oozes, plops, bubbles and slaps in response to the sounds of its own earthy noises. Rauschenberg explained that it was intended to simulate the "paint pots" at Yellowstone National Park, the churning pits of molten earth caused by subterranean heat geysers. " Click on image for youtube video of the strange piece.

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