Showing posts with label Vija Celmins. Show all posts
Showing posts with label Vija Celmins. Show all posts

Wednesday, July 7, 2010

Another found photo + Vija Celmins

I found this photo at the flea market last weekend too. The back says "B-52 and escorts" - it reminded me of paintings like this:
Vija Celmins, "Suspended Plane", Oil on Canvas, 1966 via SFMOMA

Friday, July 31, 2009

Art and Film Friday; Vol. 12 - Paris, Texas



This clip is the opening scene from Wim Wender's Paris, Texas. I saw the 1984 movie for the first time last week and loved it. It's a rich and beautifully composed film - it was really fantastic and a visual inspiration.

Still from Paris, Texas
Still from Paris, Texas
Mark Tansey, Robbe-Grillet Cleansing Every Object in Sight, 1981, 72x72"

Still from Paris, Texas
Luke Barber-Smith, Grace, 2009, 43x34 inches, c-print

Still from Paris, Texas
Still from Paris, Texas
Jason Stopa, Untitled (Mirror Series) Oil on Canvas. 2009

Still from Paris, Texas
Robert Adams- from What We Bought - The New World, Denver, 1970-74 - from flickr user Jodan TateStill from Paris, Texas - this one already looks like a painting.
Still from Paris, Texas
Vija Celmins, Untitled Portfolio: Desert, Lithograph, 16x20", 1975
Still from Paris, Texas

Edward Hopper, Nightwawks, 1942 - photo of the piece in Chicago by flickr user Jing a Ling. I think a lot of the google photos of this work don't show the color accurately - this one is pretty close.Still from Paris, Texas
Phil Sims, Green Navigator, 2008
Still from Paris, Texas
Damien Loeb, Lolita, 2005, Oil on Linen, 36x84"

Tuesday, July 22, 2008

Artists Studios

I think you can tell a lot about an artists by their studio - things they find attractive, their resources, and even a little about their personalities. It may be no surprise then that Remington's studio is filled with western artifacts and Vija Celmins has a spare, white studio. I recently relocated my own studio from the dining room to the kitchen nook which is a bit of a downsize but adequate. I did a post awhile ago about several of my studio manifestations here.

Frederic Remington's studio installed in the Buffalo Bill Museum in Cody, WY
- image via red ravine

Josh Keyes studio (via Fecal Face)
Vija Celmin's studio
Sigmar Polke's studio

Carla Klein's studio

Saturday, January 19, 2008

War Planes: Daniel Miller and Vija Celmins

I think any artist would be honored to be compared to Vija Celmins (I know I would)...well, I was browsing Etsy today looking at some local artists and came upon Daniel Miller's Etsy page and subsequently his personal art site. I loved his drawings of war planes:



I personally enjoy the older planes more than the more modern planes. Maybe because of my long-time interst in World War II history, or maybe because they have a different aura. They reminded me of this (now) classic American painting recently purchased by the San Francisco Museum of Modern Art :


Vija Celmins, American, born Latvia (Riga, Latvia, 1939 - ), "1Suspended Plane", 1966, Oil on Canvas, 23 3/4 in. x 34 3/4 in.

Saturday, June 23, 2007

Toba Khedoori's Most Recent Mysteries

Toba Khedoori, Untitled (Black Fireplace)
2006

Encaustic, wax, oil paint on paper
Image Size: 11.66' x 15.26
Toba Khedoori, Untitled (Black Fireplace) - Detail
2006

Encaustic, wax, oil paint on paper
Image Size: 11.66' x 15.26
Toba Khedoori, Untitled (Holes)
2006

Wax, oil paint on paper
Image Size: 11.87' x 16'
Vija Celmins Star Field III 1983
Graphite on acrylic ground on paper 53.5 x 68.5 cm

Toba Khedoori has long been one of my favorite artists. I especially enjoy how unexpected some of her imagery can be while maintaining a unified tone, atmosphere, and sense of mystery. Her works from last year include subjects like holes, logs, a stick, and blank windows. The newer work (Holes) of hers posted above reminds me a little of the visual opposite of Celmin's Star Field drawings. The fireplace may also relate to the nighttime paintings I posted about a few weeks ago by Dan Witz. I would love to experience the scale of Khedoori's work in person, but sadly I have not had the good fortune.

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