Artwork of the Day

Josh Tonsfeldt, Untitled, 2011, Pigment inks on reverse of Fuji Crystal Archive paper, 63 x 41"
image from Tony Wight Gallery

New Background

My talented wife Lorna took this photo in Silver Plume, CO. I resized it to a wide screen monitor (1280x800) so you can change your desktop background. PC users - right-click and 'set as desktop background'.

Painting of the Day

Julian Lee, Disappearing Tree (Himalaya) Mixed Media on Canvas (190 x 140cm)

see also - this post with Mindy Bray, Alex Katz, and Daniel Richter - and a post from November in which Julian Lee shared a little more with me about his work.

John Zurier Nocturnes

John Zurier
Exile, 2007
distemper on linen
20" x 24"
Night 29, 2008
distemper on linen
30" x 20"
Night 28, 2008
distemper on linen
30" x 20"

Nature’s Light, 2004
oil on linen
48” x 32”

Erin McSavaney and Carla Klein

I really enjoy these night-time warehouse paintings by Erin McSavaney- they remind me of Carla Klein's work a little, but softer and less brushy.

Erin McSavaney

Carla Klein170 X 300 CM / 66.98 X 118.2 INCHES

180 X 290 CM / 70.92 X 114.26 INCHES

Blue Monday

Mark Rothko, "Untitled" (Blue Divided by Blue), 1966, 33.62" x 25.71"

I was watching the news this morning only to discover that this is "Blue Monday" - the most depressing day of the year according to some calculations. In fact, at beatbluemonday.org.uk - they've broken down the formula of what makes today so depressing, writing;

"Blue Monday’ is the worst day of the year according to a mathematical equation. The equation was first devised by Dr. Cliff Arnall, former lecturer at Cardiff University and founder of No Pills, a consultancy specialising in confidence, motivation and happiness. Blue Monday marks the start of the final full week in January when people experience a series of combined depressive effects. The mathematical equation is:

The model was broken down using 6 immediately identifiable factors; weather (W), debt (d), time since Christmas (T), time since failing our new year’s resolutions (Q), low motivational levels (M) and the feeling of a need to take action (Na).The equation calculates that Monday, January 21, 2008 is officially the worst day of the year, when the Christmas glow has faded away, New Year’s resolutions have been broken, cold Winter weather has set in and credit card bills will be landing on doormats across the land - whilst the January pay-check is still one week away..."

Well despite the odds being stacked against us today, I'm going to highlight a few great pieces of art that make blue something to be happy about, beginning with a blue pigment that at one time was (literally) worth more than gold in renissance painting; Lapis Luzuli:

According to Marion Boddy-Evans at about.com, Lapis Lazuli was used to make ultramarine paint, and "during the early Renaissance (fourteenth and fifteenth centuries), when pure, intense color was regarded as a reflection of God’s glory. The three purest colors were ultramarine, gold, and vermilion. Ultramarine was described by Cennino Cennini, the 15th century Italian artist who wrote on the techniques of the great masters, as “illustrious, beautiful, and most perfect, beyond all other colors”. Artists reserved it for the most revered of subjects, such as the robes of the Madonna and Christ. " Raphael often used this prized pigment in his Madonna paintings, like "Madonna dell Granduca", from 1505:

Raphael, "Madonna dell Granduca" c. 1505 (110 kB); Oil on wood, 84 x 55 cm (33 x 21 1/2 in)

Another artist who had a accomplished and inspiring use of the color blue is Joseph Cornell, especially in his box constructions:

Joseph Cornell, "Medici Princess", (CA. 1952)Painted wood, photomechanical reproductions, painted & colored glass, painted paper, string, cork, metal rings, plastic balls, and a feather, in glass-faced, painted wood box17 5/8 x 12 1/4 x 4 3/4 in. (44.5 x 31.1 x 12.1 cm.)

Joseph Cornell, "Untitled" (Penny Arcade Portrait of Lauren Bacall)1945-46Construction20 1/2 x 16 x 3 1/2 in.