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"...anyone who gazes at Ruysdael's river under a cool sky [pictured above] will soon notice what is strange about it. The soft pale green trees that fringe the river are reflected in its calm glassy surface so completely and clearly that the painting depicts two worlds, not one: the mirror-world in the water conjoins with its counter-image above, the roots of the trees literally pointing in two directions. What at first seemed a simple scene turns out to hint at a portal to another dimension, a grotesque intertwining of worlds. There is as much suggestion, as much mystery in this painting as in any surrealist dreamscape."I agree - and on a more personal note I find the mysterious qualities of Dutch landscapes to be much more intriguing than most surrealist works. Probably no suprise.
Join us at Foothills Art Center for the STARK opening reception on Friday, May 14 from 5:30 pm to 8 pm. An exhibition of photography, painting, drawing, video and installation, STARK is an unmistakably candid and personal look into the beauty and intrigue of our world simplified to black, white and the grey areas found in between.
11x14" yet-to-be-titled, acrylic on canvas on panel
"Human beings are not reasonable, and do not to any decisive degree prefer the agreeable to the disagreeable. Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set life back to its beginnings and leave nothing of our house save its blackened foundations. Our bright natures fight with us in this yeasty darkness, and neither part is commonly quite victorious, for we are divided against ourselves and will not let either part be destroyed. This fight can be observed constantly in our personal lives. There is nothing rarer than a man who can be trusted never to throw away happiness, however eagerly he sometimes grasps it. In history we are as frequently interested in our own doom. Sometimes we search for peace, sometimes we make an effort to find convenient frontiers...but sometimes we insist on war, sometimes we stamp into the dust the only foundations on which we can support our national lives. We ignore this suicidal strain in history because we are consistently bad artists when we paint ourselves, we prettify our wills and pretend they are not parti-coloured before the Lord."