Wednesday, March 31, 2010
The story behind the film is really interesting (via Wikipedia), "The original version of the film was lost for decades after a fire destroyed the master negative. Dreyer (the director) himself attempted to reassemble a version from out-takes and surviving prints, but he died believing his original cut was lost forever. In one of the most important discoveries in cinema history, a virtually complete print of Dreyer's original version was found in 1981 in a janitor's closet of an Oslo mental institution. This version is now available on DVD" - and streaming online through Netflix.
Also watching, "Into Great Silence" by Philip Gröning, 2005 - a documentary about Carthusian monks.
Tuesday, March 30, 2010
This photo combines the whole trail into one image -which would be easier to print:
I'll walk you through the trial one photo at a time - starting here along the Main St. in Silver Plume. At the end of the street you'll see a white building that says "Bakery" - the Sopp & Trusket. I'd highly recommend getting some baked goods there before or after your hike. Any time I'm near Silver Plume I pick up a loaf of bread there. At one of the few stop signs in town you'll see this green garage across the street from a antique store. Take the road up the hill towards the trailhead.
At the top of the hill you'll see this sign for the 7:30 Mine Road -named after the mine that Clifford Griffin worked at in the 1800s. Follow the road to the right (east) -uphill.
Here's a photo of the trail at that point:
Not far up the hill there is a split -one trail cuts back to the left towards town and the other continues uphill. Keep going straight ahead (uphill).
Here's the view of Silver Plume and I-70 at this point in the hike:
Farther along you'll see a couple of telephone poles and some mining remnants -you'll follow the trail up and to the right (away from the poles):
A cairn along the way:
You will then come upon a large gulch of avalance debris - you will walk through the fallen trees uphill towards the trail entering a more wooded area. This is a photo taken in the middle of the gulch -looking downhill.
The trail at this point was a little snowy but in the summer there is a nice stream wandering along the trail. It can get a little muddy here:
You'll cross over these mining cables a couple times as you zig-zag up the mountain:
This is a good spot to stop for a food or water break (watch out for nails on the ground):
More mining debris along the trail:
Another shot of the mining cables crossing the trial farther up:
The trial gets rockier here and pretty narrow in parts:
You'll pass this cave/mine shaft/hole. I've dared myself and friends to go into it, but we're all too chicken.
There are a few grated mine shafts at this point:
When you see this grate you will take the trail to the left - to the out-cropping where the memorial resides:
It can be a little hard to see for a minute, but as you go down the trail (not far) you can't miss the large granite monument:
The Clifford Griffin memorial above Silver Plume, Colorado:
Son of Alfred Griffin ESQ. of
Brand Hall, Shropshire, England
Born July 2, 1847
Died June 19, 1887
And in Consideration of his Own Request
Buried Near This Spot
The back-story is that Griffin ran the Seven Thirty Mine with his brother on Silver Plume Mountain in the 1880s. Legend has it that his fiancee died the day before their wedding and to escape his grief he joined the Colorado gold/silver rush in Silver Plume, CO. Some say that he lived in a cabin up there and played the violin every night to an appreciative audience in the town of Silver Plume below. The story ends tragically when he takes his own life in a grave of his own making after playing his last notes on violin.
There's a huge monument to him on a moderate hike above Silver Plume (about an 60-90 minutes each way) - an easy day trip from Denver.
Monday, March 29, 2010
This move seems to be the only creative thing I've been doing lately, so that's why I keep posting about it. I'll be starting new drawings in my real studio this week.
We matched the green-gray Farrow&Ball paint color to Harriet Maxwell Macdonald’s home which was featured in a 2007 issue of Domino magazine. The local paint store was able to copy Farrow&Ball's specs and we opted for the environmentally-friendlier option which actually had very little or no odor (worth the few extra bucks). The color really looks different in different light.
Friday, March 26, 2010
Thursday, March 25, 2010
Wednesday, March 24, 2010
Monday, March 22, 2010
Sunday, March 21, 2010
Saturday, March 20, 2010
Friday, March 19, 2010
Thursday, March 18, 2010
The podcast I did last night was fun. I hope you enjoyed listening to it. Speaking of press, George Melrod of Art ltd. mentioned my wildfire painting in his essay, “Eden is Burning” from the March/April 2010 issue, writing;
Denver artist Nathan Abels paints cryptic scenes deconstructing the interstices of natural and human habitation, where mysterious wilderness intersects with quotidian society. Hints of danger abound…
Wednesday, March 17, 2010
Tonight I'll be discussing my current show on Denver's own "Untitled Art Show" podcast. If you're not familiar with the show- it is a weekly conversation with (mostly) Denver artists, gallery directors, curators, etc. I listen to it every week and I'm really excited to be a part of it.
Tuesday, March 16, 2010
Monday, March 15, 2010
Sunday, March 14, 2010
Saturday, March 13, 2010
Thursday, March 11, 2010
"The overlove of knowing is a chronic trouble of artists...this abominable tendency to believe only in what can be defined, this desire to realize all things of life sensuously, is the cause of human misery."~Geoge Inness