Monday, June 30, 2008
Plus Gallery intern Brittany Schall recently started a blog - where you can also read about the show. When writing about the same piece, Brittany stated, "The piece She’s Alive is quite remarkable in the entrancing gaze offered by the portrait and in the placement of dynamic color swatches. The figure gives a soul-penetrating stare with her mouth sensually open as she leans forward as if to speak. Diffused florescent pinks and yellows spread themselves over her hair and neck, giving an odd feeling of paranormal luminosity. The larger color sections appear active as they engulf the lower half of the chest region. Bands of vivid blue paint slip in and out of the forefront leaving resonating afterimages. Vibrantly colored lines oriented in reference to the figure gracefully contour the body and convey a sense of movement. The technical execution of this work in conjunction with the unique subject matter makes it an incredible piece of work."
Sunday, June 29, 2008
Saturday, June 28, 2008
Friday, June 27, 2008
Thursday, June 26, 2008
Tuesday, June 24, 2008
Siber's Statement about the project,
"The Untitled Project is rooted in an underlying interest in the nature of power. With the removal of all traces of text from the photographs, the project explores the manifestation of power between large groups of people in the form of public and semi-public language. The absence of the printed word not only draws attention to the role text plays in the modern landscape but also simultaneously emphasizes alternative forms of communication such as symbols, colors, architecture and corporate branding. In doing this, it serves to point out the growing number of ways in which public voices communicate without using traditional forms of written language.
The reintroduction of the text takes written language out of the context of its intended viewing environment. The composition of the layouts remain true to the composition of their corresponding photographs in order to draw attention to relative size, location and orientation. The isolation of the text from its original graphic design and accompanying logos, photographs and icons helps to further explore the nature of communication in the urban landscape as a combination of visual and literal signifiers."
Monday, June 23, 2008
Sunday, June 22, 2008
Saturday, June 21, 2008
Collaborative art for Wolf Parade's "At Mount Zoomer" by Matt Moroz and Elizabeth Huey
Thursday, June 19, 2008
This video is simple, but effective. Music by Principles of Geometry, "A Mountain for President" - starring Sebastien Tellier on vocals. The video was directed by Camille Henrot and first screened for Paris Museum Of Modern Art exhibition "Playback".
Wednesday, June 18, 2008
This topic reminds me of a few past posts on similar topics: Dioramas, and Built Environments
Tuesday, June 17, 2008
I highly recommend this article by Claude Lewenz at WorldChanging, called "The End of Cheap Oil as an Opportunity". The author outlines how the American economy and habitat changed after the Great Depression and WWII - establishing a period of unprecedented economic growth based on the abundance of cheap fossil fuels.
In a letter quoted in the article, Stuart Udall writes, "As a freshman congressman in 1955, I regrettably voted with my unanimous colleagues for the Interstate Highway Program. All of us acted on the shortsighted assumption that cheap oil was superabundant and would always be available. This illusion began to unravel in the 1970s, and it haunts Americans today.
Oil lies at the epicenter of a critical energy crisis. Petroleum is a finite resource and is the most precious, versatile resource on the planet. Cheap oil played a crucial role in the development of American power and prosperity, and sustains the military machine that dominates the world today. Oil is now nearing a historic transition that will alter the civilization Americans have come to take for granted."
The article does not only specify the problem, but has an interesting proposal for building communities (referred to as "villages") that do not rely on the automobile. In fact, Lewenz expresses great positivity about the possibilities of the future, writing, "if cheap oil is a thing of the past, change will come. We can either suffer it, or realize it as a great opportunity."
Similar to James Howard Kunstler, this article's writer, Claude Lewenz points out how problematic the suburban environment truly is in the long term; "In simple terms, it is time to stop building new developments that are based on the shortsighted assumption that cheap oil would be abundant and would always be available. It makes absolutely no sense to build another suburb, another shopping mall or another office or industrial park where people must drive distances to get there."
T-Shirt designs by Jarred De Palo (these same designs are printed in positive on white paper for the short-run editions).
Monday, June 16, 2008
Bill Admundson, "Eight Custom Family Homes"
Bill Admundson, "3 Neighborhoods"
I had a great conversation with the very funny and energetic Bill Admunson yesterday at Sliding Door Gallery. Bill is also an artist who works in what he calls the "Suburban Regionalist mode". His works have a great sense of humor, just like the artist.
Saturday, June 14, 2008
Friday, June 13, 2008
(this flier has been in my pocket a few days)
FRIDAY JUNE 1 3 6-9 P.M.
Another Fantastic Slide Show Event with a Potluck,
brought to you by the Colorado Photographic Arts Center.
Sign in at 6 p.m. and load up your slides (traditional or digital)
At 7p.m. the curtain will rise and the slide show begins.
The idea is simple, and has certainly been done before but we
think it will prove to be an excellent evening of showing and
viewing local creativity of all sorts.
Each artist will be limited to 10 slides.
Call 303-888-2679 for more information
or email firstname.lastname@example.org
Ironton - 3636 Chesnut
Thursday, June 12, 2008
- Norbert Schwontkowski, "The world on time", 2006, oil paint on canvas
- 200 x 200.4 x 2.5 cm / 78 3/4 x 78 7/8 x 0 "
- 50.2 x 40.3 x 2.1 cm / 19 3/4 x 15 7/8 x 0 5/6 "
160.6 x 160.6 cm / 63 1/4 x 63 1/4 "
Wednesday, June 11, 2008
Tuesday, June 10, 2008
I watched, "A Crude Awakening" recently, and I'm looking forward to my next netflix dvd called "The End of Suburbia", which more directly relates oil shortage or running out of oil with the collapse or decline of suburbia - an environment organized entirely around the automobile.
In a recent Kunstlercast, author James Howard Kunstler references a painting series by Thomas Cole called "The Course of Empire" in which the rise and fall of a empire is depicted through five paintings. Although our future world without oil may not be this bleak, it will be a much different future.
The Savage State
The Consummation of Empire
The Destruction of Empire
Images from WikiCommons