
Going to Moab, Utah. Will return later.




Georgia Russell, "Memoire" 2001-2 Mixed media construction 21.5 inches high
Jim Rosenau , "No, But I Sawed The Book"
Donald Lipski
Donald Lipski
I've had this photo for awhile now, and it has always reminded me of Richard Diebenkorn's "Ocean Park" series of paintings, and a little like Wayne Thiebaud's landscapes:
Richard Diebenkorn, "Ocean Park #116"
Wayne Thiebaud, 24th Street Intersection, 1977. Oil on canvas, 35 5/8 x 48 in
Kana Tanaka, "Passages in the Rain 2"
Her statement reads, "As I work with glass, I encounter diverse expressions of visible phenomena. These phenomena are everywhere in daily life, wherever light interacts with glass: windows, tableware, and fixtures. When a sunbeam enters a window, it is often scattered by small prisms. When a car passes at night, the texture of the window glass is projected on the wall, traces appear in the room, then disappear creating "trigger moments." My interest lies with these so-called "trigger moments" as they shift awareness with an instant as if suspended in a daydream."
Binh Danh, "Found Portraits Collection #7", 2006 20 x 65 inches Chlorophyll print and resin
Binh Danh, "The Leaf Effect: Study for Transmission #3", 2006 17 x 14.5 x 1.375 inches Chlorophyll print and resin
Ackroyd and Harvey, "mother & child", 1998 stay-green grass, clay, wood, 1.2m x 1.8m. 'Out of Sight: Imaging/Imagining Science' Santa Barbara Museum of Art, US.


Chris Revelle, One Half Ounce, Oil on panel, 12" x12"
Topoware - China
Topoware - Tablecloth
from Viable London
Joshua Tonies, "Wreck #2" 24" X 24 " Acrylic Paint, Enamel, Resin and Graphite
Joshua Tonies, "Wreck #1" 24" X 24 " Acrylic Paint, Enamel, Resin and Graphite
The Rachel's "The Sea and the Bells"
Bronlyn Jones
Bronlyn Jones