I'm a huge Star Wars fan. As you may or may not know, this year marks the 30th Anniversary celebration of the original Star Wars movie. The Star Wars Celebration convention in LA put together the "Vader Project" which consisted of 75 mostly west-coast artists who used the Darth Vader helmet as a canvas. Check out the flickr page dedicated to the exhibition here, it's awesome stuff for Star Wars fans and non-fans alike. The only problem with the exhibition photos is that they don't name the artist on each piece.
Also - check out her web project Learning to Love you More - with various creative assignments like "Record the Sound that is Keeping You Awake" or "Make a Flier of Your Day" among many others.
I've joined some contemporaries across cyberspace in the blog titled "Een Per Dag" - or One Per Day - where members post a new photo each day. Check it out.
I put some new photos up on my flickr site, and I updated my website with new work (it has already been posted on this blog). Keep an eye out for more new work soon.
I found this tin-type at the flea market today and I couldn't wait until Friday to post it. I'm really excited about how peculiar this little photograph is - it reminds me of the work of Henry Darger.
I've had this photo for awhile now, and it has always reminded me of Richard Diebenkorn's "Ocean Park" series of paintings, and a little like Wayne Thiebaud's landscapes:
I made a very entertaining discovery yesterday by finding a website with "virtual NES" - You can play vintage 8-bit Nintendo games online. It really kills productivity at work, so use it with caution - can be hard to stop when there's 500+ games you can play. I discovered the game "Ufouria" - which has pretty great graphics for being an 8-bit game and it's super cheesy fun. Recommended.
Kana Tanaka, "Passages in the Rain 2" Her statement reads, "As I work with glass, I encounter diverse expressions of visible phenomena. These phenomena are everywhere in daily life, wherever light interacts with glass: windows, tableware, and fixtures. When a sunbeam enters a window, it is often scattered by small prisms. When a car passes at night, the texture of the window glass is projected on the wall, traces appear in the room, then disappear creating "trigger moments." My interest lies with these so-called "trigger moments" as they shift awareness with an instant as if suspended in a daydream."
It's spring - and I thought it would be appropriate to highlight a couple of artists using actual plant chlorophyll to make photographs:
Binh Danh, "Found Portraits Collection #7", 2006 20 x 65 inches Chlorophyll print and resin
Binh Danh, "The Leaf Effect: Study for Transmission #3", 2006 17 x 14.5 x 1.375 inches Chlorophyll print and resin
Ackroyd and Harvey, "mother & child", 1998 stay-green grass, clay, wood, 1.2m x 1.8m. 'Out of Sight: Imaging/Imagining Science' Santa Barbara Museum of Art, US.
Ackroyd and Harvey, "the sunbathers", 2000 photographic photosynthesis, stay-green grass, clay, constructed screen. 7.35m x 4.90m. Aberystwyth Art Centre, Wales, UK
According to the scicult site article: ACKROYD and HARVEY: chlorophyll as a photographic medium, "Grass blades have an inherent capacity to record complex images through the production of chlorophyll, and the equivalent tonal range developed in a black and white photographic print is created within the grass in shades of green and yellow"
also my friend Kevin started a youtube group with a statement of purpose that reads "A group for those of us finding physical, moral, intellectual, metaphysical or artistic moments of transcendent greatness on YouTube. Themes could include (But are certainly not limited to): subtext, quiet reflection, self-consciousness and unself-consciousness, simulacra, intertextuality, terror, awe, abjection, introspection, beauty ... " here.
also of recent youtube interest: r/c zeppelin cams and kite videography
Chris Revelle, One fifth ounce, Oil on panel, 12" x12"
Chris Revelle, Three Eights Ounce, Oil on panel, 12" x12"
Chris Revelle, One Half Ounce, Oil on panel, 12" x12"
As I posted the Kenny Komar painting of a house called "Home Away from Home", I was reminded of the paintings of Chris Revelle, a fellow SCAD graduate. I believe that synchronicityshould be the word of the week.
The only info I could find on these pieces was their file names, so I'm guessing that's their titles. The shipwreck piece reminds me of the Joshua Tonies pieces from a couple days ago.
I'd love to try tomake the "titanic lamp" - but it would be hard to make on that didn't just look like a broken lamp. All of these discoveries (plus many more) made possible by a new-to-me website NOTCOT
I am the featured artist at shopSCAD in Atlanta for the month of May. The gallery has new work and it is all available online. Check it out. If you're in Atlanta, be sure to stop by shopSCAD.
Bronlyn Jones "Deconstructing a Mondrian", 2005 graphite and red colored pencil on Basingwerk paper Paper: 8 x 6 1/2 inches (Shown in artist's frame) Framed: 10 7/8 x 9 1/4 inches After Mondrian's Oil on Canvas titled #6 Composition with Red, Blue and Yellow, 1937-42
Bronlyn Jones "Deconstructing a Mondrian", 2005 graphite and red colored pencil on Basingwerk paper Paper: 8 x 6 1/2 inches (Shown in artist's frame) Framed: 10 7/8 x 9 1/4 inches After Mondrian's Oil on Canvas titled #6 Composition with Red, Blue and Yellow, 1937-42
Mark Grotjahn Untitled (colored butterfly white background 6 wings) 2004 Colored pencil on paper.
Mark Grotjahn Untitled (colored butterfly white background 10 wings) 2004 Colored pencil on paper.
"Cut Out" 2006 Gouache, colored pencil, graphite on paper 78 ½ x 51 inches
In place of "New Media Monday" I will be hosting the re-named "Media Spotlight Monday." I realize that most mediums are not "new" and after last week's questionable "latte art" post I decided to spotlight other mediums that may be better known but not of any lesser value. This week's spotlight is mainly focused on abstraction including colored pencil. Take a look at Bronlyn Jone's site especially - her other work is also minimal - it has a certain elegance to it.