Matthijs Maris, The Walk, 1889charcoal and pastel on paper- image from Codart.
Matthijs Maris, Lausanne, 1862 - image from Codart.
Matthijs Maris, The Enchanted Castle (my photo)
Matthijs Maris - my photo of a charcoal work done as a study for a larger paintingThe Matthjis Maris exhibition called A Painter of Poems at the Burrell Collection is an incredible show made up of numerous works on paper. My favorite works of his were done in later years of his life (Marris lived from 1839-1917). They were soft charcoal, pastel, and watercolor pieces - some so hazy it was as if looking through a thick smoke. They were subtle, dark and dreamlike - very beautiful works.
The other impressive show I saw on the trip was at the Scottish National Gallery of Modern Art in Edinburgh. The Aritst's Rooms showcased numerous works by some of my favorite artists including Vija Celmins, Agnes Martin, Damien Hirst, Andy Warhol, Alex Katz, Ellen Gallagher, and Francesca Woodman. There were numerous prints and three original drawings by Celmins, several late works by Martin, more works by Hirst than I've ever before seen in one place, the sewn together photographs by Warhol from the last years of his life, a beautifully displayed collection of Gallagher's work, small paintings by Katz, and a very touching display of Woodman's photos and personal notes.
I was also pleasantly surprised to see the Bells by Jannis Kounellis is still installed upstairs at the museum four years after I first saw it there. I showcased the work on this blog in 2007, and it is still one of the most memorable and powerful works I have seen in years. Those bells were probably two feet tall and when you approach the work the scale of it is actually quite dominant for such visually (and literally) quiet work.
The other impressive show I saw on the trip was at the Scottish National Gallery of Modern Art in Edinburgh. The Aritst's Rooms showcased numerous works by some of my favorite artists including Vija Celmins, Agnes Martin, Damien Hirst, Andy Warhol, Alex Katz, Ellen Gallagher, and Francesca Woodman. There were numerous prints and three original drawings by Celmins, several late works by Martin, more works by Hirst than I've ever before seen in one place, the sewn together photographs by Warhol from the last years of his life, a beautifully displayed collection of Gallagher's work, small paintings by Katz, and a very touching display of Woodman's photos and personal notes.
I was also pleasantly surprised to see the Bells by Jannis Kounellis is still installed upstairs at the museum four years after I first saw it there. I showcased the work on this blog in 2007, and it is still one of the most memorable and powerful works I have seen in years. Those bells were probably two feet tall and when you approach the work the scale of it is actually quite dominant for such visually (and literally) quiet work.
