In some of my past night-time paintings I would also alternate glazes of dark Blue/Greens (Payne's Gray and Hooker's Green mixtures) with glazes of rich reds (I prefer the Windsor and Newton brand red pigments). As you can see I go through a lot of Payne's Gray and Raw Umber. I also don't have exclusive brand preference - I think the Raw Umber in Golden Paints is darker than its Liquitex equivalent, but I often buy both because sometimes I prefer a more neutral tone. I would say in general though, I use more Golden and Utrecht paints than other brands.
Golden - Van Dyke Brown
Golden - Payne's Gray
Golden - Raw UmberLiquitex (PDF)- Transparent Raw Umber
Utrecht - Hooker's Green
Windsor & Newton - Cadmium Red Deep
Windsor & Newton - Alizarin Crimson
Golden - Payne's Gray
Golden - Raw UmberLiquitex (PDF)- Transparent Raw Umber
Utrecht - Hooker's Green
Windsor & Newton - Cadmium Red Deep
Windsor & Newton - Alizarin Crimson
1 comment:
just found your blog and am enjoying it immensely, I am fascinated by aerial photos and the question of peak oil and how the structure of our country will change in the next twenty years. . .and your work.
But what I thought I might add to this entry is I just found out that Golden is making a new acrylic called Open that takes much longer to dry, it is supposed to be compatible with their other acrylics. Haven't played with it yet, but thought you might find use for it with your paintings.
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