Probably my favorite show in NY was Dario Robleto's "The Minor Chords Are Ours" at D’Amelio Terras. While most of the works are aesthetically pleasing without the rich content/back-story, they really come alive after reading through his process. I think you will agree:
Dario Robleto
I Wish The Ocean Sounded More Like Dusty Springfield 1996, 2010
32 x 49 x 1 3/4 inches
81.3 x 124.5 x 4.4 cm
Apple blossom seashells, altered sound of shells, glue
A collection of seashells were grouped into a series of pairs. Each couple was then serenaded with a different Dusty Springfield song for 48 hours at a time. Each seashell’s partner was then returned to the shore
(center) The Remorseless Force 2011
dimensions variable
lithographic and digital prints in 32 parts, a collection of ephemera (posters, flyers, handbills, tickets) from live events of now deceased musicians
(left) Untitled (Don't Decay In The Wrong Arms) 2010
59 1/2 x 45 1/2 x 4 inches
151.1 x 115.6 x 10.2 cm
Silhouettes from grandmother’s and mother’s album cover collections, cut vinyl, polyurethane on wood
(back wall) The Ephemerist's Dilemma 2010
41 x 57 1/4 x 2 1/4 inches
104.1 x 145.4 x 5.7 cm
cut paper, lithographic and digital prints in 28 parts, a collection of ephemera (posters, flyers, handbills, tickets) from live events of now deceased musicians
(in the Ball jars) The Minor Chords Are Ours (detail) 2010
60 x 23 x 23 inches
152.4 x 58.4 x 58.4 cm
Vintage mason jars, vintage wooden spools, stretched audio tape, minor chords, linseed oil, willow
The minor chords from a family’s 60-year record collection were isolated to audio tape, stretched into thread, and spooled.
(image on wall) Dario Robleto
Candles Un-burn, Suns Un-shine, Death Un-dies 2010
46 x 65 1/2 x 2 inches
116.8 x 166.4 x 5.1 cm
Digital C-print mounted on Sintra, a collection of stage lights taken from the album covers of live performances of now-deceased musicians
2 comments:
Nathan- did you see any interesting artists doing figurative art in an exciting way?
Not that I recall actually - there was a George Condo retrospective up at the New Museum which seemed to be attracting a lot of hype. By no means did I make it to every gallery in NY though - I mostly wandered Chelsea and museums.
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